关于展会的声音 + 17慕尼黑的一些
今年照例去了，朋友说慕尼黑碰到的国内客户比国内展加起来的还多，估计明年会更多人来吧。第一手的报道也明显比前两年多，以前基本就是主要媒体霸着话语权，我们在后面舔屏，现在有更多烧友自己亲身感受，感觉要真实很多。
关于慕尼黑展的声音，有点话想说，作为曾经的观众，以前的布展者，现在的行业人员，感想还是挺多的。引用业界名嘴John Darko的帖子，他说的我都非常赞同：
http://www.digitalaudioreview.net/2017/05/the-sounds-of-munich-high-end-2017-part-3/
With the limitations of the room, its acoustic challenges to exhibitors, its unfamiliarity to visitors as well as, in my case, wildly unfamiliar music choices, hardware demonstrations become more play acted than real.
When listening in an unfamiliar environment, without our own music and in a hurry, it’s near-impossible to discern the sound quality of a given loudspeaker. Similarly, without a prompt A/B switcheroo, we’ve zero clue as to how a given amplifier, DAC, phono stage, turntable, cartridge or streamer might impact our own system. As the saying goes, “There’s no audition like a home audition”.
Publications making exhibitor-specific calls on sound quality – as DAR has done in the past – are in effect commenting on a complete static system, as heard in situ, in a room. As always, the room is a key component but the MOC’s rooms are vastly different to mine (and probably yours). This realisation has moved SQ commentary to a much lower priority, especially with so much to see in four days. Remember: all DAR show coverage is conducted by yours truly.
Hör Bar excepted, I’d not allow my own spending choices to ride on the back of a Munich High-End audition and I wouldn’t peg my reputation as journalist on one either. Comments on sound quality are now strictly reserved for DAR reviews where the room, associated equipment and the music are 1) known and 2) within my direct control; and the audition time is longer – much longer – than a twenty minute sit down. Anything else is a crap shoot! For these reasons, DAR’s Munich 2017 coverage was purposely restricted to the show-and-tell of the ‘what’, ‘the why’ and the ‘how much’. No, this isn’t so much a change of heart as an emerging voice of experience.
上面4段话大概说了这么几点
[*]慕尼黑展房声学条件本身就不好，对展商来说挑战很大，本人深有体会
[*]会展房间声学和自己家里的差太多，多数人也不熟悉，所以没法做比较
[*]播放的音乐和自己熟悉的差别很大，没法比较
[*]听的时间往往很短，没法像在家里做严肃的ab，听的时机很影响人的感官
[*]作为媒体，公允的方式是只介绍是啥，技术，还有价格，不参合声音质量的评判
总之就是别太较真声音，听个大概就不错了，对感兴趣的产品还是要另找机会在熟悉的环境内仔细聆听，参考评论的时候也不用太较真。
下面聊聊看到的有意思的东西吧，图都是借的别人的 展厅里的空气流通不是太好 展会最大的意义就是让大家知道哪些品牌如日中天，哪些久经考验，哪些昙花一现，哪些垂死挣扎，哪些行将就木。 本帖最后由 yangmetal 于 2017-6-2 16:18 编辑
首先大趋势是所有大小厂都在推出智能无线主动喇叭，涵盖各个地区的制造商，产品所有价位都有。
贵的如Estelon售价50k欧元的瘦美人；便宜如teac的。特别些的有weiss的超级sound bar，号称消除所有左右cross talk。不一而足。要说最意外的是constellation，居然出了个5k usd的leo，让人大跌眼镜。
ROON 到处见，基本所有展厅都在用
MQA玩大了，3大都签了，外加独立产品分销和演唱会网站，基本确立未来hd音乐格式标准。
本帖最后由 yangmetal 于 2017-6-2 20:32 编辑
D家开的集成潮流在泛滥中，所有厂家也都出了all in one的产品，而且越来越强
最后，本届最酷产品，磁浮黑胶，还不贵，1k多欧
qianqian 发表于 2017-6-2 15:48
展厅里的空气流通不是太好
今年太热了，往年气温都要低很多的，于是会场的空调就残了 yangmetal 发表于 2017-6-2 23:43
最后，本届最酷产品，磁浮黑胶，还不贵，1k多欧
这个放在家里。BIG非常高 Yangmetal好！
慕尼黑展好象是为中国人开的23333
现在HIFI就两条路，一条是继续越来越贵让越来越少的人买得起的Hi-end，一条是ALL IN ONE快餐式走入普通人，或者说中产阶级中，反正传统HiFi是挂了 iLLogiCo 发表于 2017-6-2 16:08
展会最大的意义就是让大家知道哪些品牌如日中天，哪些久经考验，哪些昙花一现，哪些垂死挣扎，哪些行将就木 ...
说说，哪些呢;P 传统hifi正逐步吸纳pc hifi的优点
