HIFICHOICE上SENNHEISER HE60/HEV70的评价

viper16

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HIFICHOICE上SENNHEISER HE60/HEV70的评价：

The HE60 and HEV70/UK combination - the former a headphone, the latter a mains-powered energiser - is derived directly from Sennheiser&#39s £9,600 Orpheus, but is simpler and more affordable. The headphone is still electrostatic, but its electronics are of the solid-state rather than vacuum-tube variety, though they run in Class A.

The HEV70/UK preamp is fed by a line-level input from your system amplifier&#39s tape output (or similar), and is equipped with a friction-coupled dual-concentric volume control from ALPS. The only controls are a signal overload/power telltale and an on/off switch. To preserve existing tape loops there are both line in and output sockets.

The HE60&#39s large electrostatic diaphragm is protected by a steel mesh cover internally, matched to an open-back enclosure fitted with firm oval circumaural earpads. A comfortable felted material covers the latter keeping one&#39s head reasonably cool. The headband is a simple padded hoop, which is comfortable but no match for those of the Sony and Stax models. Cable length is 2.9 metres.

The HE60 and HEV70/UK combination is almost twice the price of any other model in this test, and by comparison with them it was disappointing. The open, pure-sounding midband is not bettered by any of the others in this group, and the frequency balance, very similar to the Sony MDR-CD1700, is light, open and agile, with a suggestion of treble lift. The bass is excellent, though lacks the authority and weight of the much more expensive Orpheus.

It&#39s the treble that betrays this Sennheiser, being less refined than that of Sony and Stax rivals in this comparison. There&#39s clear evidence of a very-high-frequency in-band resonance revealed as vocal sibilance with some performances, and as a phasey edge that can be detected with many recordings - rapid phase shifts are associated with high-Q resonances, and the audible effect can be a comb-filter type of phasiness. The effect lent an uncomfortable edge to Jennifer Warnes&#39s voice, and a squeaky, slightly metallic overlay to orchestral strings. Percussion suffered most, sounding coloured and coarse.

The good news is that the resonance identified was limited strictly to the treble. There was no audible consequence in the midband, which seemed completely free from coloration of any kind. In the main, the Sennheiser sounded precise and articulate, with excellent imaging like the Sony MDR-CD1700 but with a much greater feeling of overall depth and spaciousness.


看完让我的心凉了大半截。小奥非斯不会如此不济吧？

sadeness

光看那9600的价钱就看不下去了，不过看此人听耳机功底似乎还没这里的菜鸟级大虾强呢

neocoo

为英文比我还烂的朋友作出一点小小帮助，原文翻译如下：


HE60/HEV70 / 英国靓丽组合 - 前面那个叫HE60是耳机，屁股后面那个叫做耳放，是处出其大哥“俄而辅斯”阴影下的小弟弟，是相对廉价版本，耳机仍然使用静电式，但耳放则不再是豪华的真空管阵列啦，不过跑的还算可以！

其实介绍的废话省略……

这小子在测试组中是其他孩子的两倍身价，但他的表现是让人失望地。开始，起音纯度和中波段不比其他好多少，至于平衡性，和SONY家的CD1700比较象，唱的亮，反映速度快，超高音部有些提高，低音不错，但是还是不如起大哥（老外废话真J8多）。

在高音区，和起对手SONY和STAX比较，精确性有所欠缺，在听人声时，高频段很明显的能感觉到共振效应，相位移动中能发现录音中的相位失真和高Q（？）共振，很象梳妆滤波器的相位（？？），在听这位叫Jennifer Warnes&#39s MM的呻吟时，感到不是很舒服，有点吱轧吱轧的，还有轻微的金属覆盖声，听管弦时也感觉好象是排成一排的（可能是指没层次感吧），打击乐也是很不舒服，有染色痕迹，比较粗糙。

好消息！！（老外的废话又来了），共振只是表现在高音上啊！！（对于静电那还不要命啊？！）其他音段听起来都没有明显的不好啦，还比较柔和舒适（无语……）。

总的来说那，不错不错！！清晰清晰，准确准确！！和SONY的CD1700一样都有很好的还原度啦，不过比CD1700更有广阔的音场和高低频延展性啊！！（XX，HE60贵了多少不算算……）

//个人觉得这是一篇垃圾评论文章，我琢磨着是几个不怕得罪广大森海FANS的英国白痴为了应付老板而搞出来的胡言乱语，不必介怀！！//

VIPER还是大胆的去追求你的小O吧！！

Runningwater

不错, 有sony枪手之嫌啊
个人觉得sony的 design是不错的, 不过要HIFI就差了点......

Nautilus

他写这个是什么目的？

只爱陌生人

viper兄听下来要是不喜欢，我接！

Runningwater

最初由 只爱陌生人 发表
[B]viper兄听下来要是不喜欢，我接！ [/B]

我排第一．．．．

sadeness

人家只接受英国本地交易 我排……:D

只爱陌生人

HEAD-FI上的人说小奥的问题主要在二房上，他听过HE60在007T上的表现要好过007系统本身的水平。
V兄还是去搞8BA吧。

viper16

将来回国找老叶订一个．

csnse

：）